Gary Guinn

Literature of the Ozarks

Category: Writers and Writing (page 1 of 14)

The Guest Cat, by Takashi Hiraide, an Imagist Novel

Takashi Hiraide’s short novel The Guest Cat (136 pages) is difficult to categorize. Hiraide is a well-known Japanese poet, and this little book reads like an Imagist poem. Each of the twenty-nine short chapters is itself an image, or a tableau, that adds a piece to the larger puzzle. The chapters at times seem almost independent of the story. At times, they meander into brief musings on philosophy, art, music, and science. And though none of these musings points the reader directly toward interpretation of the story, they are all weighted with meaning. Hiraide seems to follow Emily Dickinson’s dictum to “tell all the truth, but tell it slant.”

A young couple, both writers, no children, no pets. A neighborhood cat begins to visit, begins to stay, but never really stays. A surprising turn of events changes the lives of the young couple. The plot of the novel could be summarized in just a few sentences, but the layering of images, events, and emotions–as in any good imagist work–creates a rich fabric of possibilities. The Guest Cat is a novel, a poem, about love, about vulnerability. It is about the cost of opening your life to the other.

Sacrificial Lam, Free or $.99, Get It Now During This Promotion

If you’re looking for a Summer Read, Felony Fiction is doing a promotion through the rest of this month (May). You can get a free e-copy of Sacrificial Lam at their page. Here’s the link:  .  Just follow the link and get it from the publisher for free.Sacrificial Lam cover image

If you’d rather get it through Amazon, the e-book is on sale there for $.99 through May 25. Here’s the link: .

If you know anyone who might want to get the novel while it’s being promoted, feel free to pass this on. Or just post it anywhere you like.


Book Review: Two Girls Down, by Louisa Luna.

Two Girls Down


Louisa Luna opens her novel Two Girls Down with the kidnapping of two sisters, Kylie and Bailey, ten and eight years old. Their mother has popped into a K-Mart for a few minutes, leaving the girls in the car. When she returns, the girls are gone. Frantic search. Police. Code Adam alert. Nothing. No trace. Enter Alice Vega, wild woman, free-lance missing-person finder, and Cap, ex-cop turned private detective. Vega became an overnight star when she recovered a high-profile child, and has been in demand ever since by people whose loved ones have disappeared. The police are not happy to have her involved in the case.

The grandmother of Kylie and Bailey asks Vega how many of the children she has she has gone after have been successfully found. Vega tells her all of them. One hundred per cent. The caveat, and the terrifying reality that drives the tension in the novel, is that not all were alive when she found them, and a few who were found alive were dead in other ways, scarred beyond repair by the experience. Cover photo Two Girls Down

When Vega calls on Cap to help her find Kylie and Bailey, the search lures him from his relatively safe and boring work breaking up bad marriages exposing unfaithful spouses. As an ex-cop, he is capable of handling the danger of the job Vega offers him, and the possibility of a little excitement stirs some of the old cop adrenalin.


Luna’s writing is strong. When we first meet Vega, she is doing a yoga handstand and thinking about the danger of not knowing what is just beyond your vision. “Her old boss in fugitive recovery, Perry, used to call it Little Bad and Big Bad. Little Bad was the teenager on the front porch with a Phillips screwdriver tucked into his pants. Big Bad was his daddy waiting inside with a loaded .38 and a pissed-off pit bull. There was always a worse thing that you couldn’t see, and it was closer than you thought.” When Cap meets the mother of the lost girls at a bar for an interview, the narrator tells us, “He looked at Jamie’s hands on the bar, lying there like leaves of a dead plant, and did not extend his.”


Though the writing style is strong, the strongest element of the novel is the characters. The two leads are interesting and complex. Luna vividly draws the supporting characters—the mother, Cap‘s daughter, the police—who are strong in their own right. Cap‘s daughter, Nell, is, in fact, almost a show-stealer—smart, sassy, loving.


The pacing in Two Girls Down is compelling. The build-up is quick, with the kidnapping kicking the conflict into gear immediately, and the intensity develops steadily right up to the powerful ending. I’d compare it to Black-Eyed Susans, by Julia Haeberlin (See my review here). And laced through the action and suspense, Louisa Luna offers the reader the possibility of romance. What more can you ask?

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